This is a documented collection of my present and past Halloween displays (also referred to in the business as a "haunt")
Here are some pictures of the house that we used to live in (I refer to it as "the old house").
You may notice in one of the pictures a Real Estate sign and some characters. That's for another post. The Real Estate sign was a gag that has a funny story to it. But here you can also see some tombstones that I had made with plywood. They were so heavy! And I had to carry them up and down that hill every year. Plus I was nervous about the kids running up and down the steps. I thought they wouldn't actually climb all the way up but they did.The house to stop traffic. There would be a huge pile up of cars for at least a block in each direction. Mini vans full of kids would drive up, the door would open the kids would pile out runn up the stairs, get their candy, run back down and off they would go. Funny, the kids didn't really seem to care about the decorations but the parents would linger,take pictures and ask questions, etc. Halloween was fun (and still is)!
HOW I MADE THE COLUMNS
First I made a "box" out of 1"x 3" wood and doorskin (thin plywood) materials. Then I glued 2" think styrofoam on to the box.
Then I shaped it using a grated wood-shaving tool that I got fom the hardware store. the handle was made of plastic with a metal grate-costing about a couple of bucks.
Then I took a hot knife to it to make the cracks. I then took some black paint and painted teh cracks first then I painted the the face of the columns with a base coat of solid color. I then used a spray "stone" texture (that yu can get at the hardware store nowadays) over he base coat.
MY FIRST WALK-THROUGH EFFORT
Every year the kids asked if this was a haunted house (that they could go in). Every year I had to say. "Sorry, no". Then I got this idea to make one. We had a narrow strip of yard at the top of the steps that lead to the side of the house where their was a huge covered porch. So, I cam up with this idea of building a tunnel. At the time, I was working on 'Sweating Bullets' (a.k.a. 'Home On The Range') and it inspired me to do a western themed "attraction".
In the hat building, the one off of the 134 freeway) they had these production areas that used to serve as the hub for each show called POD's. At the entrance to these POD's, they would construct these huge monstrousities. It was llike entering a theme park attraction (They don't do any more, of course). Well. I was admiring the technique apllied on one of them and found out that someone form the ARL (Animation Resaerc Library) had made it. I made an appointment to meet with this person to discuss how he fabrictated this, etc. He was a really cool guy and happened to have pictures at his desk (like a brag book that one would have of their children). Anyways, I had told him what I wanted to do and he offered to help me buy creating the frame and doing a rough cut of the styrofoam. Here's what eventually came from that meeting:
Anyways...getting back to the tunnel, after learning how it was done, I made the entrance to the tunnel. The rest I used PVC pipe and plastic sheeting and a good thing, too because every year it rained and everything got wet. One year, I thought it wasn't going to rain and built the tunnel out of paper. I used the the stuff that you put down to protect floors
while doing construction. We crumbled it up then flattened it out again and the texture left from that crumbling looked like boulders-it was great! But alas, it rained just a few days before Halloween and I had to rush to reconstruct the tunnel again.
Before I go on, I got to give credit to my dedicated and true friends that helped every year to construct this thing and help set-up. It usually took a whole day, if not two! Thanks, guys!!!! Also, thanks to my brother in law for helping construct the "full attraction" soundtrack. I used clips from the hammer strikes from "Hi Ho, Hi Ho" (the Seven Dwarf's song) from 'Snow White', wind and crystal chimes from the Matterhorn, and thunder sfx from the Haunted Mansion. I also took area music from Frontierland and layerd thunder sfx over it-it sounded great! I got a lot of compliments on teh sound design. People asked where I got it. They were surprised to hear that it was from (the usually "cheery") Disneyland.
I decide to give it a story. It wasn't just any old rock mine, it was a "rock-candy" mine! At the end, I dresssed up like a prospector (with a big paper mache hat that I had made-I looked like "Yosemite Sam") and built a little mine cart to keep candy in. I also made cardboard standees of barrels of dynamite and a little cardboard detonator that was hooked up to strobe lights and a little thunder sfx box and I would pretend to blow up the mine as the kids left. (I wish I had pictures-I'm sure my friends with digital cameras do. I'll have to bug them about it).
I remember one year, I had so much hooked up and a fuse blew. All the lights went out and everyone cheered-they thought it was part of the show. Meanwhile, I'm running around with a falshlight trying to find the circuit breaker.
Adults would come up and I'd offer them candy. They declined and said that they just came up to see the show (and even applauded one time). One kid actually had the gall to say that they liked it better last year. ("Everyone's a critic.")
Yes, Halloween was great. That was before kids. Now, it's a whole different experience-but just as rewarding if not more so!
I keep thinking that until they turn 13, my kids will think that I'm the coolest dad but after that, I can just hear, "Dad, your not going to put out the Halloween stuff out again this year are you? My friends will see."
Here's a video "Ride-through" of the mine tunnel that I built for 2003:
...and here's the "new and improved" tunnel built the following year (2004):
One year, I decided to build the coffin-where the guy is trying to get saying, "lemmeouttahere!".So, I went to Home Depot, bought some MDF particle board, some molding, etc. and built it. It turned out great-but it was heavier than Hell!!!!
Every year it was a big ordeal-I constantly had to get a neighbor or a good friend to help me move it into place.
I sculpted the hands. The lid was made from styrofoam. I built a mechanism inside that would open and close the lid. I put it on a folding card table and put a skirt around it and whah-lah! A coffin.
The mechanism worked great-for about 10 minutes, then the motor burned out, Not enough torque, I guess. Here's basically how I got it to work:
I sculpted the hands by first making a wire frame.
Then I covered it with wire mesh, then foil to create the bulk.
I then covered it with RigidWrap (plastercloth). I then used a product called Das Pronto*(It's an air-hardening modeling clay). The clay graps on to the natural tooth/coarseness of the plastercloth. It has a fast working time. It usually cures within a few minutes but you can keep it pliable by applying a bit of water to it as you work with it (Tip: ofr storage, keep it in a ziploc plastic bag with a few drops of water in it.). It can then be sanded to a smooth finish.
*Das Pronto-the name suggests that it might be a German-Mexican mix. but now, the package just calls it 'DAS'-and it's made in Italy! Go figure...
I drilled a few holes in the styrofoam lid and mounted candlesticks on the top. I left them a bit loose so when the lid rose up and down, the candlsticks would wabble like they were about to fall over. The candlesticks were a wood craft bought froma local craft store (Michael's) and I faux finished it to look like brass, etc. The candles I made by taking plastic pipe and applying hot glue to make it look like the candle was dripping. (But that's for another post.)
So here's the final result:
THE HATBOX GHOST
For those that don't know (and for good reason-beacause they're not geeks like me and have a life-whatever...) there was a character in the Disneyland Haunted Mansion when it first opended up called the Hatbpx Ghost. It was nearby wear the bride (with the beating heart) currently is now in the attic. For some reason, mostly because th effect didn't totally work, they removed it from the attraction (not "the ride"-the "attraction"!). Well. it has created lots of talk by haunted Mansion fans alike.
Here's a picture of the actual Hatbox Ghost from the attraction:
So I decided one day to make one!
I gotta tell you this story....So, I make this skull from a photo in 'The 'E-ticket' fanzine out of Sculpey.
I want to make a transluscent, hollow cast from it. I look in the phone book under model makers, etc. and call around asking if they can do it. Most of them say that they could but I would have to order/make hundreds of them to make it worth their time. "But I only need two", I said. Finally I got in contact with someone who said "bring it by, we'll take a look at it." I did. and tis gu lokked at it and said,"You know where you need to go? There's a place about a mle from here. You go up the street, make left, over the train tracks and then make a right. You go about 3-4 blocks. There'll be a big billboard sign. There shop is under it." "Could you be any more vague", I said. So, I hopped back in the car and folowed his "directions" and miraculously, I found it!!! It happened to be lunch time and the crew were at the lunch truck. I took my ghost head (in a plastic bag, and asked one of them if they knew someone that could help me. They didn't speak english but they summoned me to follow them into the warehouse building. I could tell that I was at the right place based upon all the creatures and Halloween products. They sat me inan office and told me to wait here. A few moments later, a guy walks in and I tell heim what I need. I take out my ghost head and he recognized it right away. He agreed to make a mold and cast. Long story made short, we eventually became good friends.
So, here's how it turned out. I made a solid fugure and hatbox and put a mylon "scrimm" over both heads. I also place a light behind the figure to plunge it into silhouette which made it harder to see the heads. It was a cool effect.
THE STARING STATUE BUSTS
First I made sculptures out of Sculpey modeling clay. The busts measure 17" tall by about 8" wide.
Then, I had a friend of a friend, use a vacuum-form machine to make the positive/negative form. The process basically works by taking a thin, hetaed sheet of plastic, draping it over the sculpture then placing it on a machine-table that has a whole bunch of tiny holes in it that's connected to a igh-poered vacuum. It sucks the air down causing the heated plastic to form around and in the shape of the sculpture. My friend had to re-cast my Sculpey models in plaster because the pressure of the vacuum would crush them to pieces. They power on the machine used wasn't great do it didn't quite capture all of the detail I put in but enough to make an impression.
The effect is basically that the busts seem to turn to follow the viewer's every movement.
Here's a photo of how the effect basically works from "behind the scenes". The viewer is actually looking at the bust/face from the reverse side. A light is placed on the other side to help light and see the details. I seem to remeber reading somewhere that the Disney imagineers discovered the effect while making cast for the 'Great Momemts with Mr. Lincoln' show.
Here's what they look like (using a Night-vison on my video camera).
THE BAT STANCHIONS
First I sculpted the bat out of sculpey. For reference, I took my video camera with Night vision into the Haunted Mansion at Disneyland and took video capturing the details in close-up-so scaled 1-to-1/actual size and it's pretty close to being "on-model" as they say in my biz.)
Then I took it to a friend who helped me make a mold out of silicon (which captures every single detail-even fingerprints! That's how accurate it is!)
When they came out, they turned out great! They were made to fit onto a standard size PVC pipe. The Halloween that I made these, I was in a hurry. They were finished literally the night before Halloween. My friend showed up with them and I thought they were going to be cast in a hard resin but because of time (again) he only had time to have them cast in self-skinning foam (like a NERF footbal, etc.) I tried mounting them onto the PVC but as soon as I connected a chain between them, they slumped over because they didn't have enough strength. So I had to stick a metal pole inside of them to give them a frame/structure (the wings still sag, though).
I also faux-finished them to look like brass by first painting them with a base coat of black paint then dabbing a gold color over the black. (people think they are for real until they touch them.)
Here's the finished product.
THE BAT IN THE BIRD CAGE
"She's only a bird in a gilded cage..."
One of my favorite unused concepts from 'The Haunted Mansion' was this one by the late Legendary Disney animator, Marc Davis...
(I hope one day they might decide to put this in the attraction.)
I was so inspired by this piece that I decided to make it. I sculpted the bat in Sculpey and made a mold and hollow cast of it so I could fit a battery pack connected to two LED lights (for the eyes). I also sculpted the bones. At first, I was going to actually going to construct a cage but I thought to look for one in a pet store that I could use. Originally, I had sculpted the base with the ornate flange holding up the cage but-it fell and broke. Typical. Anyways, this is how it turned out:
One year, we had a huge Halloween party and I invited Alice Davis (Marc Davis' wife) to the party. I was proud to show it to her. She LOVED it! Although...she had one thing to say about it and that was I had forgotten Marc's favorite thing about this concept-and that was the blood in the water trough! Oh, well.
THE NEW HOUSE
So, here is my house at Halloween. The columns I had made from plywood and styrofoam. Originally I had panied them gray qith stone texture but when we moved to the new house, the color didn't match. So, I found some leftover paint in the garage and painted it. (There are also 5 "mini-pillars" connected by styrofoam chains that aren't in the picture-I post more/better pictures later.)
I like the turret on the house-it gives a "castle-like" quality. The pumkins are the cheap hollow styrofoam ones that you get from the craft stores and if you notice, those are the bat stanchions from the 'Haunted Mansion'. I sculpted and made them myslef (with the help of a frind who made the mold and castings-Thanks, Chad!)
Just wait until you see my home office....
When we moved to our new house (and seeing all those HGTV/Extreme Makover:Home Edition shows), I decided that I wanted a Haunted Mansion themed office. So I drew up some concepts of what I wanted it to look like:
I'm not sure how to introduce this so I'll just say it..."Here it is!"
Now...people either say it is the coolest thing they've ever seen or I need professional help.
The green wallpaper with the Lily pattern is actually used in the foyer of the attraction. A company up north in Benicia, CA that makes authentic hand-printed Victorian wallpaper called Bradbury and Bradbury Art Wallpapers (www.bradbury.com) happens to sell it (Dresser Tradition 2-Ashes of Rose Code:LYW Pattern:550 ). The purple/blue wall is a stencil that I made. It is of the wallpaper pattern in the attraction as well. It took a few hours to paint-I still have to paint in all the little pupils in the eyes. The oval mirror is actually a two-way 50/50 mirror. Behind it is a relief sculpture of the Hatchet Goul (to be posted later with an update) that shows through via a light on a timer. The effect is an image that slowly appears and disappears much like the Cheshire Cat in the mirror at the Mad Hatter Shop at Disneyland.
I was looking in a lighting shop in Hollywood (LAMF 660 N. LaBrea Ave. Los Angeles, CA 90036 323-932-6000) for a 5-light wall sconce and but by chance, I happened to find the wall sconce of a Griifin/gargoyle that is the exact same one that is in the attraction that is located by the staring statues, just before you get onto the Doombuggy.
(I'll post more pictures and details later).
I got back pictures from Halloween, 2006. I took them with a film camera using a long exposure and slow shutter speed.
...and here's to my inspiration, Blaine Gibson.
The old man's head I made from aluminum foil and Sculpey. Over time, he fell and cracked, etc. I had to do some last minute touch-up with plaster wrap/bandages and Das Pronto modeling clay. The hair was actually cut from a cat costume.
The gravedigger-same thing as the Old Man with the earphone (but I took better care of it-although the Sculpey is starting to crack.)
This is a mini-graveyard I put together on the patio near the front door. It needs work. One day, I have in mind to make an animated Halloween short film and project it on the wall of my neighbors house (above the fountain). We'll see.
You know, I had this thing stored in my office closet just before putting it out for Halloween and I swear whenever I went to opened the closet door I would see this bride just standing there and it would creep me out, seriously! Go figure. After Halloween, I couldn't stand the thought of this thing still sitting there, so I removed the clothing and kept it in a box. Now it's not sacry anymore. When I was a kid, we would visit my aunt and uncle in El Paso and they had a suit of armor at the top of their stairs. I was so scared of it, I wouldn't go up there! I was always afraid that it would move like the one in the hallway of the Disneyland attraction where they would hire a cast member to dress up in the suit of armor and jump out at you during the ride.
I used to have a jar labeled "Sulfuric Acid" sitting next to the cat-hinting that he replaced the water in the birdbath with the contents and the bird was in mid-shower pose before it discovered that it was too late! Usually I have an atomizer or dry ice in the birdbath to create a boiling/fog effect. But at the time I took this picture, I didn't have anything handy.
Here are some candelabras I made last year that were inspired by the stretching room gargoyles in the Haunted Mansion (look closely to see the detail):
Materials: wire, plaster wrap, DAS modeling clay, wooden candle cups and a faux finish with acrylic paint (Liquitex Black & Iridescent Antique Gold).
I MADE THE PAPER!!!
First, I made the local paper! Click here to read the article.
THE TEMPLE OF DOOM
About 2 and a half weeks before Halloween, I "committed myself" to making an Indiana Jones Temple Of Doom in my driveway. (Once you see what I've done, you'll think I should have "myself committed"!)
HOW IT ALL BEGAN...
Well, after working with my good friends at Rotten Apple 907 in Burbank, CA, I realized how much I missed hosting a walk-through attraction as part of my haunt. What I didn't miss was the stress of keeping the display up. I had been using PVC pipe as a frame covered with cheap plastic sheeting - this did not hold - when it rained, it all came down! While I was helping my friends, I saw that they used a tarp canopy. I saw that they make tarp canopies that could run the length of a long driveway and I have a long driveway that runs along the side of the house. It got me thinking...
I remembered for their "Nightmare at the Museum" haunt, that they used a gag which simulated the feeling of darts whizzing by via use of tiny hoses connected to an air compressor. I asked my friend that if I were to make up the temple, could he hook-up the dart gag effect. He said, "yes" and I decided then to go forward!
I did alot of searching for reference and drew up some plans for the entrance:
(My wife was out of town that weekend so it was a perfect time to have a canopy delivered along with large 4' x 8' sheets of styrofoam!)
I stayed up many late nights carving styrofoam. Scratching away, it made a pile of tiny beads that looked like I was knee-deep in snow. The beads were everywhere and clung to everything. (It was pretty easy to clean it up, though.)
I covered everything with a base coat of black (even the kids helped) and then quickly faux painted everything in gray/stone texture. Thanks to my sister and brother-in-law and few other friends, I was able to get the canopy up and decorated just in time.
My friend hooked-up the dart gag and it worked excellently. I got the idea to add some draped vines over the air outlet to give it a visual indication that something was flying out from the opening. (I took video - Check back - I'll try posting that later!)
Here is a shot of the inside during the day (it didn't get good photos of it at night) to give you an idea of the layout. It was a one-way in/one-way back.
I would greet trick-or-treaters at the entrance and have them follow me inside, cautioning them there was danger and to be very careful where they step. the dart gag was activated by an infra-red sensor. Then we'd run to the end and I'd turn around and ask if everyone made it through okay and then offer them some candy from a replica of the Ark of the Covenant (again, borrowed from my friend). The lid was slightly open and I had smoke/fog pouring out of it.
For Rotten Apple 907's 'Nightmare at the Museum' haunt. They wanted to build the Ark of the Covenant (from 'Raiders of the Lost Ark') but needed someone to make the cherubim on top. I remember those cherubs from the movie and the design facinated me. I always thought it would be fun to have a set of those to put up on my desk so I volunteered to do it.
We did some online research. There are many depictions of the cherubs as you can see here:
I noticed that they all are pretty similar in concept. That's because in the Bible it actually describes how the Ark was to be constructed (even to the exact measurements!). It was to be a box made of wood and plated in gold. On top of the box was the cover or "Mercy Seat". Two cherubs made of gold were to be on either end facing each other with their wings outstretched and touching. You can read all about it here.
The most popular version is the one from 'Raiders of the Lost Ark' so that's what we decided to make.
We found a few sites that had detailed pictures and schematics on how to build your own Ark of the Covenant replicated prop from the movie. Here's is some of that reference material:
(oooookay....I'll keep that in mind...)
so here's mine....(granted, I know it not EXACT. Even with all the reference, it was still hard to see the full detail so I had to take a few liberties and while I was at it, I might as well do it to how I wanted to see it. Its been awhile since I sculpted - maybe even YEARS! When I added up the time spent to make this, it took me about 3 - 4 eight-hour days.)
I set up in the dining room which made my wife a little concerned. (she does that groan that Marge Simpson makes about Homer.) This way, I can be near the kids and feel like part of the family. The kids took over a box of clay and had fun using the pasta maker (which I use to help knead and soften the clay to make it workable).
First, I blew up an image of the cherub to size. Then made a wire armature to match. Then I slapped some clay on, roughing out the forms. This process took about 8 hours.
(if you look closely, you can see a toy box that looks like the Ark. My kids asked, "Can we put candy in there?")
Then I started refining the shapes and adding detail:
The hardest part was sculpting that tiny face. As you can see it was about the size of a quarter. Originally, I tried sculpting it by trying to work my fingers between the wood and wings--this proved to be a useless waste f time. Then, I got this idea to sculpt the face , bake it then squeeze it into the main sculpture. "BRILLIANT!" , I tell you.
As I was sculpting it, I was thinking, "Why am I spending so much time on something no one will see?" Then I thought 1) because I know people will want to look on the underside and expect to see something there and 2.) because I'll know! I'm creating art--I have to feel good about it.
I swear, I could have gone on forever finessing this piece, smoothening it out, taking out pocks and finger prints, etc. until finally I just had to call it "done". At times, it's fair enough to say, "This was my best effort and what I was able to do in the time given."
Now it would be up to my friend to make mold an cast it up. Unfortunately we didn't have time and they asked me to make a quick "dumbified" version of it, so I did. I think it took about 1/2 hour and i made it out of that new Model Magic clay that kids use in school.
After they were done with their haunt that year, they offered it to me to use for my haunt. I hadn't committed to doing a temple of doom haunt at that time but it seemed like a pretty safe bet plus, they needed someplace to store it and I still happened to have room (believe it or not!)
Friends of a friend who stopped by and saw the Ark offered to let me borrow their fertility idol coin bank so I had a prop to carry. My next door neighbors offered to borrow an actual prop form the last 'Indy' movie (he worked on it).
My friend Peter, who I helped with his pirate ship haunt, did something amazing this year, at the last minute he rigged up the face on the temple entrance to talk! He recorded the voice, hooked-up the servo's and everything! Finally I had an animated piece this year! He also brought his amp and background sfx that he mixed together and it added a whole ambiance to the haunt.
THANK YOU to my family, and friends who helped make and came to enjoy this special night!
That's me on the right. I was 11 and went as Indiana Jones